Cologne, Germany
AP
When Syrian refugee Fadel Alkhudr arrived in Germany in 2015, the first thing he saw when he stepped out of the train in Cologne was the city’s majestic cathedral.
Alkhudr, 42, became so fascinated by the famous Gothic landmark on the Rhine river with its twin spires and elaborate ornaments that he spent hours looking at it. He took photos of it, drew sketches, and eventually started carving a wooden replica.
Fadel Alkhudr from Syria poses beside his wooden model of the word heritage Cologne Cathedral on display at the Domforum in Cologne, Germany, on Monday, 20th June. Fadel Alkhudr, 42, a woodcarver and artist orginally from Aleppo, Syria, fled the war in his home country and arrived in the western german city of Cologne in 2015. In 2019 he started to carve the local Cologne Cathedral in his small basement – without any plans or drawings, using only cell phone photos of the cathedral as a template. PICTURE: AP Photo/Martin Meissner.
For over 2.5 years – or around 5,000 hours, as he says – Alkhudr worked on creating a two-metre -tall copy of the structure in a small basement-turned-workshop in Cologne’s Kalk neighbourhood.
Alkhudr, who is Muslim, said he developed such a close connection to the Catholic cathedral that at some point it felt like the building became a part of him “like it’s a dear friend to me.”
The Syrian, who learned carving from his father at the age of 13, first fled to Turkey and then to the western German city of Cologne after his family’s wood-carving business in Aleppo was destroyed in the war in Syria. He said he’s often asked if it didn’t feel strange for a Muslim to dedicate himself to Germany’s most famous Christian house of worship.
Not at all, he answers, because growing up in Aleppo before the civil war, he had both Muslim and Christian friends, and customers from different religions who came to buy wooden art at the family store.
“When we were in Aleppo we used to have…no issues between a mosque and a church,” the father of five recounts. “Our neighbours were Christian and we are Muslims, we used to invite each other into our homes and there were no problems.”
Fadel Alkhudr from Syria poses near the south part of his wooden model of the word heritage Cologne Cathedral on display at the Domforum in Cologne, Germany, on Monday,20th June. PICTURE: AP Photo/Martin Meissner.
Alkhudr is one of more than one million migrants who came to Germany from Syria, Iraq and Afghanistan in 2015-16, escaping war, destruction and poverty in their home countries. He first worked odd jobs to make a living, brought his family over in 2017, and, since 2019, focused on creating the cathedral model. He hopes that in the future he can also make a living in Germany as an art carver.
Alkhudr used hard beech wood and 50-year-old tools from back home in Syria that his father had passed on to him. The end result was taller then himself, measuring two metres in height and length, and 1.40 metres in width.
Fadel Alkhudr from Syria poses near the word heritage Cologne Cathedral in Cologne, Germany, on Monday, 20th June. PICTURE: AP Photo/Martin Meissner.
The original cathedral is 152 metres tall and took more than 600 years – from 1248 to 1880 – to complete. It’s a UNESCO World Heritage Site and hosts the Shrine of the Three Kings, believed to contain the bones of the Three Wise Men. The cathedral is one of Germany’s top tourist attractions and one of the oldest and most important pilgrimage sites of Northern Europe.
Alkhudr’s delicately chiseled work is currently on show at the cathedral’s Domforum visitor centre just across from the original. The Syrian hopes that he can present his woodwork in other cities, too, and thus spread what he sees as the cathedral’s unifying message.
“For me, the cathedral is a home for all people,” he said.
