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27th
June, 2007
JUSTIN
MICHAEL
Album:
Recollection: The Best of Nichole Nordeman
Artist: Nichole Nordeman
Label: Sparrow, 2007
Enhanced:
No
In a word: Collectable
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"Though
I somehow sense that Nordeman’s edge has been
slowly chipped away at by the ever increasing slick
pop sound of her records, there is, in this collection,
ample evidence to remind us of why an artist that
has something deeper to say can still be heard in
an age where Christian contemporary music is continually
disregarded as vanilla."
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It
was my girlfriend (now wife) that introduced me to the music
of Nichole Nordeman via the old cassette player of her student-budget
car. She was very proud of that car, and similarly proud of
her new tape that she determined I should hear.
That album was the 1998 debut offering from Nichole Nordeman,
Wide Eyed. It was what it said; a bigger view of
things. Songs like To Know You, Who You Are and Is
It Any Wonder, all featured on this record. They pointed
to a searching song writer who wasn’t afraid to draw
solace in the mystery of God and still be OK with asking the
questions that bore no apparent answers - “I really
want to know you, be patient with my doubt, I’m just
trying to figure out Your will, and I really want to know
You still," she sings in one song.
2000 brought the sophomore release, This Mystery
that spawned songs such as Every Season, a personal
favourite and still a spine tingler, as well as Why
and the title track, This Mystery.
In 2002 Nordeman struck music gold with the Song Of The Year
Dove Award for Holy from the album Woven and
Spun.
Though I somehow sense that Nordeman’s edge has been
slowly chipped away at by the ever increasing slick pop sound
of her records, there is, in this collection, ample evidence
to remind us of why an artist that has something deeper to
say can still be heard in an age where Christian contemporary
music is continually disregarded as vanilla.
As is expected in the ‘best of’ part of the music
store, there are included on the collection two new offerings.
Sunrise captures the essence of Nordeman’s
writing with the lyric, "You are sunrise, You are blue
skies, How would I know the morning, If I knew not midnight?"
The other new tune, Finally Free, offers the contrasting
thought, "no shadow dark enough, no night is black enough,
no road is lost enough that He can’t find it".
From the first time I listened to the orchestral arrangements
of piano-driven, emotive, conviction-wrapped, God-searching
songs in the tape deck of my girl's car, I realised this was
a writer who was sure of herself and wished to give her own
palette of expressive colour to her music. If you have not
ever heard Ms Nordeman, this collection is worth it simply
for the live version of Real To Me, an incredibly
unique take on the day of the crucifixion of Christ.
FOR
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