| 29th
April, 2006
ADAM KELSALL
Sometimes you see a photographer or artist lock their
thumbs and index fingers in an effort to frame a portion of
a landscape. Travelling for 30 days through three Indonesian
islands gave me faint glimpses of the heart, soul, muscle
and sinew that lie beneath the skin of a complex and chaotic
culture. But mostly, as a cashed-up Westerner, I saw an index
finger/thumbs view.
Here’s a dozen observations:
The
Wet Season: Often names come from irony, a big person
nicknamed ‘Tiny’, a redhead named ‘Blue’.
No irony here. Pure reality. Sometimes it’s hot enough
to make your sweat sweat. The dampness cloisters your nostrils
with the promise of rain and humidity becomes a personality
that clings at first light and grows on you sometimes for
days until it weighs like heavy old blankets. Then it bursts
and the rain comes down, not in drops but like a giant tray
of water dropping out of the sky.
The Economy: It is estimated that the population
grows by three million people a year. The average person earns
400,000 Indonesian rupiah a month ($A57). Before it tripled
in price last year, most of the population used kerosene to
cook on. Now they cook using timber which is sourced from
the surrounding environment causing significant damage. Petrol
doubled in price in 2005. Ninety per cent of Bali’s
income comes from tourism. Two bombs later, most of that income
is gone.
The People: Beautifully gentle people. But
I sensed an edge. They are angry about terrorism and its effects
on their country. Acutely aware of Australian events, they
quizzed us about Iraq and about the riots in Cronulla. Off
the beaten track, the people are inquisitive and welcoming.
Two very common greetings are “Where are you from?”
followed by “Where are you going?” Riding to the
east of the island of Sumbawa, we stopped in a small town
to play a local adaptation of badminton with some kids. Within
ten minutes seemingly the whole town had congregated next
to the dirt court checking us out, a muddled messy exchange
of Indonesian and English invoking smiles and laughter and
for a few wonderful moments, a long long way from home we
felt right at home.
The
Roads: It’s almost like the whole of Indo wants
to be on the road. The road rules (oxymoron?) are that if
something is slower, you honk and overtake. If anything is
coming the other way it has to slow down till you finish your
overtaking manoeuvre. Motorbikes or Toyota Kijangs are the
chosen mode of transport and the road is shared with dogs,
chickens, water buffalo and large rocks who are slowly travelling
somewhere or nowhere.
The Food: Extraordinarily cheap and tasty.
Freshness is key. At one restaurant our order of prawns was
knocked back because none had been caught that day. Most menus
have Western food but be bold and go Indonesian. In Lombok,
the chicken taliwang is highly recommended. More chilli than
chicken - I am still deciding whether it was awesome or ordeal.
The Grommit: “Gremmit” as he
introduced himself is your typical surfing adolescent, his
lithe movements adapted to suit the endless waves he trims
day long look ill at ease on the ground he walks. By night
he is trying to talent his way into one of the many local
cover bands. Regular sets of Bob Marley, U2, Cold Play. Sadly
he carries a dark weight in his soul. His parents and siblings
died in a house fire while he was at school. He believes it
was deliberately lit. Gremmit no longer attends school preferring
the pedagogy of life. He is being raised by the community
and has a strong network of mischievous peers which blended
with his incredible charisma will hopefully see him transition
to adulthood reasonably comfortably.
The
Drivers: “You short paid me 50,000” or
“This is where you asked to go, to go there will be
another 50,000” are common tactics the drivers use to
edge that little bit of extra cash out of you. The irony is
that most of the drivers who work for themselves are spirited
personalities who are delightfully helpful and you find yourself
more than willingly giving them a 50,000 tip. Then there are
the driver networks who use bullying and intimidation to monopolise
the market. They charge exorbitant fees (often more than the
average monthly wage for a two hour trip!) and are mostly
abrupt and impolite.
The Orphanage: James 1:27 - "Pure and
undefiled religion in the sight of God the father is this:
to look after orphans and widows in their trouble". Kids
in orphanages seem to have an enthusiasm and resilience that
could only possibly come from God. I believe the absence of
biological parents and material possessions gives them an
ability to depend on God the father in a way that is to far
out of my western box of comprehension to begin to understand.
This dependence makes them shine with the light of grace,
peace, patience and kindness. These children blessed me with
a glimpse of God.
Kuta: Western society implanted in Bali.
The shopping isn’t actually that much cheaper than Australia.
Spend a day there before flying out the next day. That’s
enough time.
Monkeys: Like most things that are cute they are
cheeky little teeth-bearers. Easy to find around bohemian
Ubud - don’t take your eyes off them for a second. One
made off with my water bottle and when I tried to retrieve
it, a quick hiss and some demonstrative arm swiping on behalf
of the little terror helped me to quickly establish the water
bottle was no longer mine.
The
Senses: These will be confronted with a vexing array
of contradictions. The pungent smell of fish in the sun, mixed
with the enchanting aroma of frangipani’s falling to
the ground like snow flakes. The soundtrack is the drone of
motorbikes and religious wailing, while your eyes search for
something peaceful and still amongst the frantic, manic, endless
disorganisation of movement.
Domestic Airports: Are pretty casual. A lot
like a country train station. Preparing to fly from Mataram
to Bima we observed a local aircraft enthusiast(?) wonder
out the door of the airport onto the tarmac and film a couple
of planes taking off with his handycam before security finally
noticed and ushered him back inside where he continued by
filming the inner workings of the terminal before getting
on the same plane as us…GULP!
The Conversation: Shortly after returning
I had a conversation that went something like this - Adam:
“When I travel it makes me feel so raw and so alive,
so real! Something I don’t feel back here in the real
world.” Mitch: “Maybe back here isn’t the
real world.”
All images by Adam Kelsall. If you have been somewhere
interesting and would like to write something about your trip,
simply send an email to postcards@sightmagazine.com.au.
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