| 28th
November, 2006
DAVID
ADAMS
Flags
of Our Fathers (MA)
 |
IMAGE
OF THEIR TIMES: A recreation of the "single
shot that could end the war".
"A
film which takes a good hard look at the process
of mythmaking and our need for heroes, Flags
Of Our Fathers is a moving portrayal of the
often grubby realities of war and its aftermath."
|
OK, ok. I know it’s very late in its run, but I managed
to catch it before it disappeared from the screens of our
local cinema multiplex, so maybe you will too. It’s
certainly worth trying. Directed by Clint Eastwood, Flags
Of Our Fathers is the story behind of one of the images
that defined World War II - a Pulitzer Prize winning image
of five marines and a navy corpsman raising a flag on top
of Mt Suribachi on the island of Iwo Jima during a battle
for the island that began on 16th February, 1945. At a time
when the war in the Pacific was ever so slowly edging towards
its endgame, the image taken at Iwo Jima was seized upon by
officials in the US administration as one means of bolstering
support for the ongoing war effort - in particular for raising
much needed cash to keep the US war machine afloat. Based
on a best-selling book by James Bradley (the son of John "Doc"
Bradley, the navy corpsman in the image) and Ron Powers, Eastwood’s
film centres on three main characters - Bradley ,played by
Ryan Phillippe, Rene Gagnon, a “runner” played
by Jesse Bradford, and Ira Hayes, an American Indian played
by Adam Beach - who were among those who took part in the
flag raising (and the only three to survive the war). It sets
about debunking some of the big picture myths of the image
by looking at the truth about the circumstances in which it
was taken (the flag, which was actually raised on the fifth
of 31 days of fighting, was the second US flag to be raised
on top of the rocky mount ) as questions were raised about
whether the image was staged. It also looks into the lives
of the “American heroes” who were depicted within
it (even the identity of one of the men was the subject of
some dispute) and their personal struggles in handling the
attention they received back home before fading from the limelight.
Framed by James Bradley’s own search to find out about
the image his father was depicted in, the movie jumps between
their role in the invasion of Iwo Jima and their subsequent
role in the nation’s propaganda machinery as they toured
the US in a series of public appearances aimed at raising
funds for the war. Treading on ground broken by Steven Spielberg’s
Oscar-winning Saving Private Ryan, the film’s
portrayal of war is visceral and gives an insight into the
confusion and the horror soldiers must have experienced (more
than 20,000 Japanese lives and almost 7,000 American lives
were lost during the battle for the island). A film which
takes a good hard look at the process of mythmaking and our
need for heroes, Flags Of Our Fathers is a moving
portrayal of the often grubby realities of war and its aftermath.
Keep an eye out for upcoming the Japanese language “companion
piece”, Letters From Iwo Jima, in which the
battle is told from the Japanese side of the story.
~ FlagsofourFathers.com
SEE
THE SIGHT ON THE SCREEN ARCHIVES FOR MORE... |